THE CANOE;
ITS SELECTION, CARE AND USE
INTRODUCTION
EXPLORERS have taken canoes into nearly every
quarter of the globe, even close to the North Pole,
and pleasure seekers in cities have filled park
lagoons with them. Thousands of men and a constantly
increasing number of women plan for fifty weeks in the
year on a canoe trip of two weeks, either down some
civilized river or across lakes and down streams
traveled only by the Indians of the north.
Across the entire continent, from Maine to Nome,
Alaska, is a vast territory in which the canoe is a
work horse, a carrier of burdens, as essential a part
of a man's equipment as a horse on a farm.
East of the Mississippi river in the United States
and east of Lake Huron in Canada are many canoe
manufacturers who are turning out innumerable craft
annually, supplying Hudson's Bay posts on Lake
Athabasca, in Labrador, and on the MacKenzie river,
the tourist in New Brunswick, the prospector on the
Yukon, the explorer of the geological survey in
Ungava, the gold seeker of the Porcupine, and the bank
clerk in Detroit who spends his evenings about Belle
Isle with his best girl in the be-cushioned bow.
The recent growth of the use of the canoe has been
as wonderful, in a way, as the little craft itself.
The canoe is rapidly losing that great distrust in
which the public held it. It is coming into its own,
bringing with it the romance of the northland, the
lure of the forest, the sane, healthy pleasure of its
use.
But, despite its introduction into city parks and
summer resort lakes and streams, the canoe is
essentially a wilderness product, essentially a
wilderness craft. And the wilderness without the canoe
would be a wilderness indeed, a forbidding barrier
that would shut off that vast area which is the north
end of our continent as effectively as though the ice
of the pole itself were interposed.
From northern Minnesota straight north to the
Arctic ocean, from the lower Ottawa to Hudson's Bay,
from the St. Lawrence to Ungava Bay, and from the
upper Athabasca to the mouth of the MacKenzie, the
canoe has made possible the penetration of nearly
every corner of the wilds, has permitted journeys
which otherwise could be made only in winter or not at
all.
It is in this great district that the use of the
canoe, as essential to the inhabitants as the horse in
the cow country, has been brought to its highest
perfection, has accomplished the unbelievable. And,
though vicious rips have been run, though great lakes
have been crossed in heavy gales, in this lonely,
northern land, it is in the city park lagoon, in the
summer resort lake and river, that the craft has
killed its hundreds, that it has aroused a great
suspicion in the minds of many millions of people.
As ignorance and carelessness have killed their
thousands with the unloaded firearm, so they have
killed their hundreds with the canoe. The fact that
the efficient firearm and the efficient canoe continue
to prosper despite public prejudice is only an
indication of their worth.
It is the purpose of this book to make the safe use
of the canoe more universal, to show its
possibilities, and to point out its abuses. Once the
art of handling a canoe is learned, a man cannot
propel a more efficient craft. Once he has learned to
be its master, he has the key to a new world.
CHAPTER I
TYPES OF CANOES; THEIR CONSTRUCTION
SO far as construction and materials are concerned,
canoes are made in three types -- the wooden, canvas,
and birchbark. The birch bark will drown the other
two, but it is slower, more difficult to handle,
springs leaks more easily, and becomes heavy through
soaking water.
The wooden canoe is speedy, but its construction
makes the finest lines impossible, and fine lines mean
more than beauty. They mean seaworthiness and
stability and give to a canoe that quality of being
alive and intelligent, of meeting waves like
conquerors and not like saw logs.
The canvas canoe, when properly made of the best
materials, is the best craft, although many
experienced canoemen prefer the wooden variety so
commonly used in Canada. The canvas canoe's
construction is identical with that of the birch bark,
after which it was patterned. It has, however, the
advantage of an even, smooth surface, of greater
rigidity, of faster lines. It retains its shape and is
the superior of both the other types in withstanding
hard usage. The well built, intelligently designed
canvas canoe is really a wonderful craft. The best
stock, careful workmanship, and the results of
experiments and experiences have been combined until
there is hardly room for improvement. The canvas
covering has been rendered almost impervious to
ordinary knocks and will often hold water when the
planking and ribs have been crushed. If torn, it is
easily mended.
The birchbark canoe, built by Indians, is, some
things considered, the most wonderful craft of the
three. For ten dollars I purchased a sixteen-foot
canoe that rode six-foot rollers on Rainy Lake without
taking a drop of water. For three dollars I once
bought a twelve-foot birch that weighed little more
than twenty pounds and never leaked a drop in an
entire summer's travel.
But good canoe makers among the Indians are
becoming scarce, forest fires have made it difficult
to obtain good birch bark, and in many localities
Indians are using the white man's canoes when they are
able to buy them. Still, a good birchbark is to be
had, though much care must be taken in selecting it.
As a rule, it is better not to order it made, for the
Indian will not do nearly so good a piece of work. Buy
a canoe he has made for himself, and be on the ground
when you buy it.
Get a canoe of three pieces. That is, a craft made
with three separate pieces of birch bark on the
bottom. One of two pieces, or of one, will buckle, or
bulge, in the center. This greatly retards it. See
that the bark is sound and not filled with many tiny
holes, that it has been well sewed with the split and
skinned roots of jack pine or cedar, that the thwarts
and ribs are strong and the planking well placed in
position. The planking will slip and expose the bark
in a poor canoe.
Many birch canoes will warp and twist. Few are ever
perfectly straight. Get one with the bottom, from bow
to stern, as flat as possible. Indians have a habit of
lifting the ends, thereby making an excellent craft
for running rapids, but one almost impossible for the
ordinary canoeman on windy lakes.
Treat your bark canoe with consideration, though
you will be surprised to discover what hard knocks it
will stand without showing a mark. Be specially
careful when landing and embarking, keeping it away
from rocks and snags. If possible, never get sand in
the canoe. This, working down between bark and
planking, gradually wears through the bark, a fact
which furnishes one of the greatest objections to this
style of canoe.
If you have an opportunity to buy a good birch from
an Indian, do not care to spend the money a white
man's canoe will cost, and are willing to use it
carefully, you will have a craft that will keep going
when wooden or canvas canoes turn to shore. But you
will travel much more slowly with the same expenditure
of energy, and you must always carry a can of pitch
wedged in the bow. Your craft will be harder to
handle, especially in a wind, and, unless you rig some
sort of a low thwart or a low seat, you must kneel in
the Indian's position when you paddle.
There are several varieties of wooden canoes. In
Canada this type has been in constant use for many
years. In some districts any canoe, canvas or wooden,
made by a white man, is called a "Peterborough," the
name of the city in which wooden canoes are
extensively built. A woodsman told me, in the summer
of 1912, of a wonderful new canoe he had seen a few
days before. His enthusiasm led me to expect something
marvelous.
"It had a lot of wide ribs and was covered all over
with painted cloth," he said.
The man, a good woodsman, had never seen or heard
of a canvas canoe. In many parts of the United States
the wooden canoe of the Canadians is equally
unknown.
The most common form of wooden canoe is the
basswood. This is made of thin boards of basswood
placed over hardwood ribs six inches apart. Strips of
hardwood are used to batten the cracks. Ribs and
battens are generally rounded and three-quarters of an
inch wide.
Another variety is known as the longitudinal strip
canoe, made of strips of cedar an inch wide running
from end to end and placed over hardwood ribs similar
to those in a basswood craft, but closer together.
Still another is the cedar rib canoe, made entirely of
ribs, with only two or three longitudinal strips
besides the gunwales and keel. These ribs, or arches,
are one inch wide and fitted together. The last two
models are wonderfully strong canoes, though the cedar
is not so tough as the basswood. The cost of the rib
canoe is far above that of other models, wooden or
canvas.
The cedar types are light. The basswood is when it
is new. Both absorb much water, the basswood becoming
especially heavy on a portage at the end of a summer
which calls for the expenditure of valuable
energy.
One great objection to the basswood canoe now
generally on the market is that it must be kept in the
water. Turned over in the sun for a few hours, it
opens up until it is like a sieve. Even when in use in
a hot sun the upper seams will open. Dry-kiln lumber
is largely responsible. The earlier product was much
better. I once saw a basswood canoe that had been in
use for twenty-six years.
The construction of the wooden canoe precludes the
possibilities of the best lines. I have used wooden
canoes that were remarkably seaworthy, but the usual
model is not to be compared with a birchbark or
canvas. They seem to have a stubborn rigidity that
prevents a compromise with a roller.
All wooden canoes of the Canadian model are made
without seats. A cross bar or thwart is placed about
ten inches above the bottom. This can be used as a
seat, but it is not comfortable. The intention is to
have the paddlers kneel, as all paddlers should do,
resting part of the weight on the thwart and part on
the knees. The question of seats and kneeling is
discussed in another chapter.
The canvas canoe is simply a birchbark made by a
white man, with a white man's tools, with one
substituted material made by white men, and with the
addition of cane seats. This adherence to the Indian
model permits grace and beauty in the lines, valuable,
not for the artistic effect, but for the resulting
efficiency.
The canoe is made over a solid mold. Ribs two to
three inches wide and about a quarter or three-eighths
of an inch thick are placed on the mold. The ribs are
of cedar. On top are placed thin cedar planks, or
strips, generally an eighth of an inch or more thick.
The ribs are fastened to gunwales and hardwood stems
placed at each end. Over all is stretched tightly a
piece of canvas, which is filled with a preparation
and given several coats of paint and varnish. The
result is a craft identical, in essentials, with the
Indian's canoe, only with the canvas taking the place
of the birch bark.
However, that is only a simple statement of the
construction. Methods, workmanship, efficiency of
materials, finishing, and general knowledge of the
necessities in construction vary so that canoes of all
grades are produced. There are canvas canoes whose
strength is almost past belief, and there are some on
the market that could not stand three hundred miles in
northern waters.
But the good canvas canoe, with its solid
construction, keeps its shape, offers a smooth surface
to the water, is light, is buoyant, will stand very
hard knocks and is, all facts considered, the best all
around craft.
But much depends upon the construction. The use of
clear white cedar is essential. The treatment of the
canvas is most important. I have seen a canoe, in the
water only two weeks, show cracks and holes due to the
action of the sun alone.
The compromise which must be effected between
weight and rigidity is delicate, and some makers are
prone to one extreme or the other. A sixty-pound
canoe, carrying two 150-pound men and one hundred and
fifty or two hundred pounds of duffle, is put to
severe tests in riding a heavy sea or shooting a
twisting, tearing current. I once saw the inwale of a
canoe snapped in two when two men were riding terrific
waves. There was 170 pounds in each end of the canoe,
and nothing in the center. One can readily see the
stress and strain that resulted in climbing and
pitching over six-foot waves.
The double or open gunwale construction is best for
several reasons. Manufacturers will tell you it is
stronger. It has the great advantage of permitting a
thorough cleaning of the canoe, something almost
impossible with the closed gunwales. Sand will get
into your craft, and this will work in between the
planking and the canvas, as in a birchbark. In time,
the threads are worn and cut, and leaks result. With
open gunwales the canoe is cleaned every time it is
turned over, while a little attention will keep it
entirely free from sand.
And right here the canvas canoe has a great
advantage over the wooden canoe, especially the
basswood craft. It can be taken from the water and
turned over in the sun, and, if it is a good canoe,
will not be damaged. It is kept dry and light and can
be carried out of the wind so that a rising sea cannot
touch it.
The planking in a canvas canoe is an important
feature. The edges should be matched perfectly, and
the strips should run from end to end to give the best
rigidity.
The construction of the ribs and the number used is
most important. The greater the load a canoe is to
carry, and the rougher the water to be traversed, the
more rigid must be the ribbing. Some manufacturers, to
meet the need for an unusually strong canoe, "double
rib" the craft, placing the ribs less than half an
inch apart, or build a canoe with "half ribs," which
stretch only across the bottom between the full ribs.
The usual spacing of the ribs in a well-made canoe is
sufficient for all ordinary usage, although it is
always advisable to use a floor grating. When ribs are
too far apart, or planking is not continuous from bow
to stern, the canoe will bend, or "hog," in the
center.
The ends should be well protected by brass bang
plates which should run well under the canoe. These
should be riveted solidly to the stems. Manufacturers
will furnish an outside stem of hardwood, which
strengthens and protects, but which, like many other
things, adds weight.
Some manufacturers place keels on canoes only upon
request, as a rule, unless the craft be a large
freight model. There is the narrow keel, about an inch
deep, which strengthens the canoe and makes handling
easier on windy lakes, and the shoe keel, or broad,
flat protection for the bottom where rocky river beds
are to be passed over. Like the outside stems, they
must be considered in the compromise which one must
make in the selection of his canoe, and their use or
absence depends much on what is to be done with the
craft.
The selection of the manufacturer depends on
several things. Some sell canoes at much lower prices
than others. Perhaps the best general advice is to
adapt the price to the use of the canoe. If you are
going to Hudson Bay, or Lake Mistisinni, or some other
place far from civilization, pay the higher price. But
put the money into canoe and not polished trimmings.
If you are going to paddle on a small lake or city
park lagoon and never leave home, the cheaper canoe
will be sufficient. Don't go to the lower extreme,
however. The best is none too good where a man's life
depends on his canoe. The cheapest doesn't pay, even
where only a sunset paddle will be the extent of your
canoeing.
CHAPTER II
CANOE MODELS; THEIR ADAPTABILITY AND
USES
IN this chapter the word model applies to the
lines, dimensions, and shapes of canoes. There are any
number of models, some manufacturers making a dozen or
more, while others make only one or two. Canoes are
made twelve feet long and twenty-five or thirty. They
are made twenty-six inches wide and forty-six or
more.
Some canoes are built solely for speed, as the
Canadian racing canoe. Others are built for general
use but with speed the essential consideration. Some
are built for lightness, and others for strength. Most
manufacturers try to reach that point where these two
qualities meet. Some canoes are wide and "tubby."
Others are narrow to the point of crankiness. Some are
round bottomed, and others perfectly flat. Some have
straight or out-flaring sides, and others have a
tumble-home, or outward bulge, of one to two
inches.
Some canoes are built for racing, some for paddling
in a park lagoon, some for carrying heavy loads, some
for running rapids, some for climbing heavy-seas in
lake travel. Some canoes will weigh from a third to a
half as much more than others of the same size. Some
will be stiff and heavy and others so pliant they are
weak and dangerous.
All these various models are built with a purpose
or to try out some freak notion of a designer. I have
seen canoes that seem to have been just made, purpose,
thought, or possible use never seeming to have entered
the head of the builder. But, as a rule, you can find
a canoe built for just what you want a canoe to do. It
is built for it, but it is not quite the thing, simply
because perfection is impossible.
This is essentially true in out of door life. The
perfect piece of equipment, tent, cooking utensil,
packing contrivance, or whatever you wish, has not
been made because, of necessity, everything you take
into the wilderness must be a compromise. Your canoe
must be a compromise, and it is only in effecting the
best possible reconciliation of divergent,
contradictory factors that you can approach
perfection.
For instance, a canoe suited to running rapids
should have the ends raised, the bottom curved from
bow to stern, that the craft may be twisted on its
center, and that the current may not grip the ends.
Such a canoe causes much trouble on windy lakes, for
the same factor that makes it easily turned in the
rapids makes it hard to keep straight in a wind.
A canoe that has good capacity and stability is
slower as the greater beam and blunter bow and stern
cut down the speed. A canoe that will rise with a
roller, and not cut down through it, is slower than
the long, tapered bow affair. The canoe with a flat
bottom is more stable and more buoyant, but it has not
the speed of a round-bottomed canoe.
A canoe that is perfectly rigid, made to stand
great strains and carry heavy loads, is heavy on a
portage, and an extremely light canoe, for the
opposite reason, will not stand the strain of a long
journey in rough country. A large freight canoe will
ride big seas, carry a monster load, and is strong and
will stand a lot of hard usage, but it is generally
too heavy for one man to carry on a portage.
Thus, your canoe must be selected for the use to
which you intend to put it. Length, width, depth,
construction, height of ends shape of bottom, thwarts,
seats, and accessories must be considered carefully.
Adapt it as nearly to the use as possible. Balance
weight against strength, speed against capacity and
stability, weighing the relative value of each
quality.
For instance, if two men wish to take a trip down
the Nepisiguit or Tobigue rivers, and intend to be in
the woods two weeks, they have the following to
consider: One hundred and fifty to two hundred pounds
should cover food and outfit. There are many rapids.
Some they will run and some they will portage
around.
They should have a canoe built for river work. a
slightly rounded bottom and ends raised higher than
the center, on the bottom, for twisting more quickly
and more safely in fast water. It should be sixteen
feet long and not less than thirty-two inches wide. It
should have long, slim ends for speed. The depth
should be twelve inches at least. It is not necessary
to have much tumble-home. The weight need not be more
than sixty-five pounds. Neither can it be much less
and still have the craft withstand the wrenching of
the rapids and contact with rocks. A shoe keel
protects the craft. This is generally half an inch
thick and three inches wide in the center, tapering to
the ends.
Such a canoe would not do for a trip through
western Ontario, where the travel is almost entirely
on lakes and where there are few rapids that can be
run. If the same two men intend to spend two weeks in
such a country they will have the following
conditions: Many broad lakes, heavy seas, many
portages of varying lengths up to two miles. These
demand a flat-bottomed, straight-keeled craft thirteen
inches deep and thirty-four inches wide. The ends must
not be high enough to catch much wind. Wide outwales
help greatly in turning combers. A good tumble home
adds stability and also helps keep out the waves. The
weight should be between sixty-five and seventy
pounds. This will enable them to make a portage in one
trip, one taking a heavy pack and the other a light
pack and the canoe. The straight bottom is essential
in heavy winds. The canoe will not be so apt to turn
and bolt. The increased depth is necessary in heavy
seas, and a canoe of that weight and size should be
strong enough to stand the strain of pitching and
tossing.
The width should not all be in the center, but
should be carried well into the ends. The blunter bow
will aid in riding waves, although it will cut down on
the speed.
Consider these two men planning to float down the
Ohio, the Mississippi, or some of their tributaries.
The length of the trip makes little difference, for
supplies may be purchased every day. There are no
portages, except possibly around a dam, and then an
express wagon will take all their outfit in one trip.
They can take all the comforts of home, if they wish,
a sheet iron stove, a large tent with dining fly,
canned goods and other things with which a sporting
goods house catalog is filled.
They can get a seventeen-foot canoe that weighs
eighty pounds, for it will not have to be carried, and
the larger canoe permits taking a larger outfit. Speed
does not count for much, for the current does most of
the work. There are no rapids to be run. They may,
however, find some ugly seas on these rivers,
especially when the wind is against a strong current.
For that reason a canoe adapted to lake work, with the
width carried well into the ends, a tumblehome, and a
depth of thirteen or fourteen inches is best.